75th Creative Arts Emmy Awards – Night 1 Winners

The Television Academy presented 49 Emmy Awards during the first of two nights celebrating the 75th Creative Arts Emmy Awards.

Tonight’s presentation at the the Peacock Theater at L.A. LIVE saw awards going to talented artists and craftspeople in genres including cinematography, guest performers, music, production design and special visual effects. The Last of Us was the big winner on the first night, taking home eight trophies. The Bear, Wednesday, and The White Lotus took home the second-most awards with four trophies a piece.

The festivities will continue on Sunday with another 49 Creative Arts Emmy Awards being presented.

GUEST ACTOR IN A COMEDY SERIES: SAM RICHARDSON as Edwin Akufo, Ted Lasso, International Break”(Apple TV+)

CHOREOGRAPHY FOR SCRIPTED PROGRAMMING (Area Award: Possibility of one or more than one award.:  JON BOOGZ, Choreographer, Blindspotting, Routines: The History / San Quentin Blues (Starz)

CASTING FOR A DRAMA SERIES: The White Lotus (HBO Max)

  • MEREDITH TUCKER, Casting By
  • FRANCESCO VEDOVATI, CSA, Location Casting
  • BARBARA GIORDANI, CSA, Location Casting

CASTING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE: BEEF (Netflix)

  • CHARLENE LEE, CSA, Casting By
  • CLAIRE KOONCE, Casting By

CASTING FOR A COMEDY SERIES: The Bear (FX)

  • JEANIE BACHARACH, CSA, Casting By
  • JENNIFER RUDNICKE, CSA, Location Casting
  • MICKIE PASKAL, CSA, Location Casting
  • AJ LINKS, CSA, Location Casting

PERIOD COSTUMES FOR A SERIES: The Great, Choose Your Weapon (Hulu)

  • SHARON LONG, Costume Designer
  • CLAIRE TREMLETT, Assistant Costume Designer
  • BASIA KUZNAR, Assistant Costume Designer
  • ANNA LAU, Costume Supervisor

PERIOD COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE: Daisy Jones & The Six, Track 8: Looks Like We Made It (Prime Video)

  • DENISE WINGATE, Costume Designer
  • DEREK SULLIVAN, Costume Supervisor

FANTASY/SCI-FI COSTUMES (Area Award: Possibility of one or more than one award.): House Of The Dragon, The Heirs Of The Dragon (HBO Max)

  • JANY TEMIME, Costume Designer
  • KATHERINE BURCHILL, Assistant Costume Designer
  • PAUL YEOWELL, Assistant Costume Designer
  • RACHEL GEORGE, Assistant Costume Designer
  • JOANNA LYNCH, Costume Supervisor

CONTEMPORARY COSTUMES FOR A SERIES: Wednesday, Wednesday’s Child Is Full Of Woe (Netflix)

  • COLLEEN ATWOOD, Costume Designer
  • MARK SUTHERLAND, Co-Costume Designer
  • ROBIN SOUTAR, Assistant Costume Designer
  • CLAUDIA LITTLEFIELD, Costume Supervisor
  • ADINA BUCUR, Costume Supervisor

CONTEMPORARY COSTUMES FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE: BEEF, The Birds Don’t Sing, They Screech In Pain (Netflix)

  • HELEN HUANG, Costume Designer
  • AUSTIN WITTICK, Assistant Costume Designer
  • YJ HWANG, Assistant Costume Designer
  • MARK ANTHONY SUMMERS, Costume Supervisor

PROSTHETIC MAKEUP (Area Award: Possibility of one, more than one or no award.): The Last Of Us, Infected (HBO Max)

  • BARRIE GOWER, Prosthetics Designer
  • SARAH GOWER, Prosthetics Makeup Co-Department Head
  • PAUL SPATERI, Key Prosthetics Makeup Artist
  • NELLY GUIMARAS SANJUAN, Key Prosthetics Makeup Artist
  • JOHNNY MURPHY, Key Prosthetics Makeup Artist
  • JOEL HALL, Key Prosthetics Makeup Artist
  • LUCY PITTARD, Key Prosthetics Makeup Artist

MAKEUP (NON-PROSTHETIC): Wednesday, Woe What A Night (Netflix)

  • TARA MCDONALD, Makeup Designer
  • FREDA ELLIS, Key Makeup Artist
  • NIRVANA JALALVAND, Makeup Artist
  • TAMARA MEADE, Makeup Artist
  • BIANCA BOEROIU, Makeup Artist

PERIOD AND/OR CHARACTER MAKEUP (NON-PROSTHETIC) (Area Award: Possibility of one, more than one or no award.): The Marvelous Mrs. Maisel, Susan (Prime Video)

  • PATRICIA REGAN, Department Head Makeup Artist
  • CLAUS LULLA, Key Makeup Artist
  • JOSEPH A. CAMPAYNO, Key Makeup Artist
  • MICHAEL LAUDATI, Makeup Artist
  • TOMASINA SMITH, Makeup Artist
  • ROBERTO BAEZ, Makeup Artist

GUEST ACTRESS IN A COMEDY SERIES: JUDITH LIGHT as Irene Smothers, Poker Face, Time Of The Monkey (Peacock)

PERIOD AND/OR CHARACTER HAIRSTYLING (Area Award: Possibility of one, more than one or no award.): Queen Charlotte: A Bridgerton Story, Crown Jewels (Netflix)

  • NIC COLLINS, Hair Designer
  • GIORGIO GALLIERO, Assistant Hair Designer

CONTEMPORARY HAIRSTYLING: The White Lotus, Abductions (HBO Max)

  • MIIA KOVERO, Department Head Hairstylist
  • ELENA GREGORINI, Key Hairstylist
  • ITALO DI PINTO, Hairstylist

STUNT COORDINATION FOR A DRAMA SERIES, LIMITED OR ANTHOLOGY SERIES OR MOVIE: JOHN KOYAMA, Supervising Stunt Coordinator, The Boys (Prime Video)

STUNT COORDINATION FOR A COMEDY SERIES OR VARIETY PROGRAM: WADE ALLEN, Stunt Coordinator, Barry (HBO Max)

STUNT PERFORMANCE: The Mandalorian, Chapter 24: The Return (Disney+)

  • LATEEF CROWDER, Stunt Performer
  • PAUL DARNELL, Stunt Performer
  • JJ DASHNAW, Stunt Performer
  • RYAN RYUSAKI, Stunt Performer

PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR) (Area Award: Possibility of one or more than one award.): Only Murders In The Building, Sparring Partners (Hulu)

  • PATRICK HOWE, Production Designer
  • JORDAN JACOBS, Art Director
  • RICH MURRAY, Set Director

PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE) (Area Award: Possibility of one or more than one award.): Wednesday, Wednesday’s Child Is Full Of Woe (Netflix)

  • MARK SCRUTON, Production Designer
  • ADRIAN CURELEA, Art Director
  • ROBERT HEPBURN, Set Decorator

PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE) (Area Award: Possibility of one or more than one award.): Guillermo del Toro’s Cabinet Of Curiosities (Netflix)

  • TAMARA DEVERELL, Production Designer
  • BRANDT GORDON, Art Director
  • SHANE VIEAU, Set Decorator

SPECIAL VISUAL EFFECTS IN A SEASON OR A MOVIE: The Last Of Us (HBO Max)

  • ALEX WANG, Overall Visual Effects Supervisor
  • SEAN NOWLAN, Overall Visual Effects Producer
  • JOEL WHIST, Production SFX Supervisor
  • STEPHEN JAMES, Visual Effects Supervisor, DNEG
  • NICK MARSHALL, Digital Effects Supervisor, DNEG
  • SIMON JUNG, Visual Effects Supervisor, Weta FX
  • DENNIS YOO, Animation Supervisor, Weta FX
  • ESPEN NORDAHL, Visual Effects Supervisor, Storm Studios
  • JONATHAN MITCHELL, Visual Effects Supervisor, Distillery FX

SPECIAL VISUAL EFFECTS IN A SINGLE EPISODE (Area Award: Possibility of one or more than one award.): Five Days At Memorial Day Two (Apple TV+)

  • ERIC DURST, VFX Supervisor
  • MATTHEW WHELAN, VFX Supervisor
  • DANNY MCNAIR, VFX Producer
  • GORAN PAVLES, VFX Supervisor, Stormborn Studios
  • RAFAEL SOLÓRZANO, VFX Supervisor, El Ranchito
  • JOHN MACGILLIVRAY, SFX Coordinator
  • VIKTOR MULLER, VFX Supervisor, UPP
  • MANUEL TAUSCH, VFX Supervisor, Stormborn Studios
  • GONZALO ESCUDERO, VFX Producer, El Ranchito

MAIN TITLE DESIGN: The Last Of Us (HBO Max)

  • ANDY HALL, Creative Director
  • NADIA TZUO, Creative Director
  • GRYUN KIM, 3D Artist
  • MIN SHI, Designer
  • JUN KIM, 3D Artist
  • XIAOLIN (MIKE) ZENG, Designer

MOTION DESIGN (Juried Award: All entrants are screened by a jury of appropriate peer group members and one, more than one, or no award entry is awarded an Emmy.): Ms. Marvel (Disney+)

  • IAN SPENDLOFF, Director
  • DAVID LOCHHEAD, Designer
  • DANIELLA MARSH, Designer
  • DAVID STUMPF, Designer
  • PHILIP ROBINSON, 3D Artist
  • MATTHEW THOMAS, 3D Artist

SOUND EDITING FOR A LIMITED OR ANTHOLOGY SERIES, MOVIE OR SPECIAL: Prey (Hulu)

  • CHRIS TERHUNE, Co-Supervising Sound Editor
  • WILLIAM FILES, MPSE, Co-Supervising Sound Editor
  • JESSIE ANNE SPENCE, MPSE, Dialogue/ADR Editor
  • JAMES MILLER, Sound Designer
  • DIEGO PEREZ, MPSE, Sound Effects Editor
  • LEE GILMORE, MPSE, Sound Effects Editor
  • CHRISTOPHER BONIS, Sound Effects Editor
  • DANIEL DIPRIMA, Music Editor
  • STEPHEN PERONE, Music Editor
  • LESLIE BLOOME, Foley Artist
  • SHAUN BRENNAN, Foley Artist

SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION: The Bear, Review (FX)

  • STEVE “MAJOR” GIAMMARIA, Supervising Sound Editor
  • EVAN BENJAMIN, Dialogue Editor
  • JONATHAN FUHRER, Sound Effects Editor
  • ANNIE TAYLOR, Foley Editor
  • CHRIS WHITE, Foley Editor
  • LESLIE BLOOME, Foley Artist
  • SHAUN BRENNAN, Foley Artist

SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR): The Last Of Us, When You’re Lost In The Darkness (HBO Max)

  • MICHAEL J. BENAVENTE, Supervising Sound Editor
  • JOE SCHIFF, Dialogue Editor
  • CHRISTOPHER BATTAGLIA, MPSE, Sound Designer
  • CHRIS TERHUNE, Sound Designer
  • MITCHELL LESTNER, MPSE, Sound Effects Editor
  • JACOB FLACK, MPSE, Sound Effects Editor
  • MATT YOCUM, MPSE, Sound Effects Editor
  • MAARTEN HOFMEIJER, Music Editor
  • RANDY WILSON, Supervising Foley Editor
  • JUSTIN HELLE, Foley Editor
  • DAVI AQUINO, Foley Editor
  • STEFAN FRATICELLI, Foley Artist
  • JASON CHARBONNEAU, Foley Artist
  • WILLIAM KELLERMAN, Foley Artist

SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR): The Last Of Us, When You’re Lost In The Darkness (HBO Max)

  • MARC FISHMAN, CAS, Re-Recording Mixer
  • KEVIN ROACHE, CAS, Re-Recording Mixer
  • MICHAEL PLAYFAIR, CAS, Production Mixer

SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION (Area Award: Possibility of one, more than one or no award.): The Bear, Review (FX)

  •  STEVE “MAJOR” GIAMMARIA, Re-Recording Mixer
  • SCOTT D. SMITH, CAS, Production Mixer

SOUND MIXING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE: Daisy Jones & The Six, Track 10: Rock ‘N’ Roll Suicide (Prime Video)

  • LINDSEY ALVAREZ, CAS, Re-Recording Mixer
  • MATHEW WATERS, CAS, Re-Recording Mixer
  • CHRIS WELCKER, Production Mixer
  • MIKE POOLE, Music Mixer

MUSIC COMPOSITION FOR A LIMITED OR ANTHOLOGY SERIES, MOVIE OR SPECIAL (ORIGINAL DRAMATIC SCORE): Weird: The Al Yankovic Story (The Roku Channel)

  • LEO BIRENBERG, Composer
  • ZACH ROBINSON, Composer

MUSIC SUPERVISION: GABE HILFER, Music Supervisor, The White Lotus, Bull Elephants (HBO Max)

ORIGINAL MUSIC AND LYRICS: Ted Lasso, So Long, Farewell / Song Title: A Beautiful Game (Apple TV+)

  • ED SHEERAN, Music & Lyrics
  • FOY VANCE, Music & Lyrics
  • MAX MARTIN, Music & Lyrics

ACTOR IN A SHORT FORM COMEDY OR DRAMA SERIES: TIM ROBINSON as Various Characters, I Think You Should Leave With Tim Robinson (Netflix)

MUSIC COMPOSITION FOR A SERIES (ORIGINAL DRAMATIC SCORE): CRISTOBAL TAPIA DE VEER, Composer, The White Lotus, In The Sandbox (HBO Max)

ORIGINAL MAIN TITLE THEME MUSIC: DANNY ELFMAN, Composer, Wednesday (Netflix)

ACTRESS IN A SHORT FORM COMEDY OR DRAMA SERIES: JASMINE GUY as Barbara Baldwin, Chronicles Of Jessica Wu (Prime Video)

PICTURE EDITING FOR A MULTI-CAMERA COMEDY SERIES: Night Court, Pilot (NBC)

  • KIRK BENSON, Editor
  • CHRIS POULOS, Editor

PICTURE EDITING FOR A SINGLE-CAMERA COMEDY SERIES: JOANNA NAUGLE, ACE, Editor; The Bear, System (FX)

PICTURE EDITING FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE: BEEF, Figures Of Light (Netflix)

  • NAT FULLER, Editor
  • LAURA ZEMPEL, Editor

PICTURE EDITING FOR A DRAMA SERIES: The Last Of Us, Endure And Survive (HBO Max)

  • TIMOTHY A. GOOD, ACE, Editor
  • EMILY MENDEZ, Editor

CINEMATOGRAPHY FOR A SERIES (ONE HOUR): M. DAVID MULLEN, ASC, Director Of Photography, The Marvelous Mrs. Maisel, Four Minutes (Prime Video)

CINEMATOGRAPHY FOR A SERIES (HALF-HOUR): CHRISTIAN SPRENGER, ASC, Director Of Photography, Atlanta, Andrew Wyeth. Alfred’s World (FX)

CINEMATOGRAPHY FOR A LIMITED OR ANTHOLOGY SERIES OR MOVIE: NATALIE KINGSTON, Director of Photography, Black Bird, Hand To Mouth (Apple TV+)

GUEST ACTRESS IN A DRAMA SERIES: STORM REID as Riley Abel, The Last Of Us, Left Behind (HBO Max)

GUEST ACTOR IN A DRAMA SERIES: NICK OFFERMAN as Bill, The Last Of Us, Long, Long Time (HBO Max)

TELEVISION MOVIE: WEIRD: THE AL YANKOVIC STORY (The Roku Channel)

  • Henry R. Munoz, III, Executive Producer
  • Neil Shah, Executive Producer
  • Zachary Halley, Executive Producer
  • Mike Farah, Produced by
  • Joe Farrell, Produced by
  • Whitney Hodack, Produced by
  • Tim Headington, Produced by
  • Lia Buman, Produced by
  • Max Silva, Produced by
  • Al Yankovic, Produced by
  • Eric Appel, Produced by
The 75th Creative Arts Emmy Awards are taking place January 6-7, 2024 at the Peacock Theater at L.A. LIVE. An edited presentation will air January 13 at 8:00 PM EST/PST on FXX and available for streaming on Hulu on January 14.

Please subscribe to Solzy at the Movies on Buttondown.

Danielle Solzman

Danielle Solzman is native of Louisville, KY, and holds a BA in Public Relations from Northern Kentucky University and a MA in Media Communications from Webster University. She roots for her beloved Kentucky Wildcats, St. Louis Cardinals, Indianapolis Colts, and Boston Celtics. Living less than a mile away from Wrigley Field in Chicago, she is an active reader (sports/entertainment/history/biographies/select fiction) and involved with the Chicago improv scene. She also sees many movies and reviews them. She has previously written for Redbird Rants, Wildcat Blue Nation, and Hidden Remote/Flicksided. From April 2016 through May 2017, her film reviews can be found on Creators.

You Missed

Netflix: Coming and Leaving in January 2025

Netflix: Coming and Leaving in January 2025

Alexis Bloom talks The Bibi Files, New Benjamin Netanyahu Doc

Alexis Bloom talks The Bibi Files, New Benjamin Netanyahu Doc

A Complete Unknown: One of the Best Pictures of the Year

A Complete Unknown: One of the Best Pictures of the Year

No Country for Old Men Gets Criterion Collection 4K UHD Upgrade

No Country for Old Men Gets Criterion Collection 4K UHD Upgrade

Interstellar Gets 10th Anniversary 4K Ultra HD Collector’s Edition

Interstellar Gets 10th Anniversary 4K Ultra HD Collector’s Edition

The Solzy Awards for Documentaries in 2024

The Solzy Awards for Documentaries in 2024