The Motion Picture Sound Editors (MPSE) announced the nominations for the 71st Annual MPSE Golden Reel Awards.

Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation, computer entertainment, and student productions.

“It’s been a great year for entertainment sound,” said MPSE president David Barber. “We are so impressed with the creative excellence of sound artists across all media and from around the world. We extend our sincere congratulations to this year’s stellar nominees.”

Blue Ribbon voting will run January 21-February 22, 2024. The 71st Annual MPSE Golden Reel Awards will take place at the Wilshire Ebell Theater on March 3, 2024.

MPSE FILMMAKER AWARD
Michael Dinner

MPSE CAREER ACHIEVEMENT AWARD
Dane A. Davis, MPSE

71st Annual MPSE Golden Reel Awards Sound Editorial Nominees

Outstanding Achievement in Sound Editing – Broadcast Animation

• Rick and Morty: “Unmortricken” (Cartoon Network)
  • Supervising Sound Editor: Hunter Curra MPSE
  • Sound Editor: James A. Moore
  • Sound Effects Editor: Corbin Bumeter
  • Dialogue Editor: Ricardo Watson
• Star Trek Lower Decks: “Old Friends, New Planets” (Paramount+)
  • Supervising Sound Editor: James Lucero
  • Sound Effects Editors: Mak Kellerman, John Wynn
  • Foley Editor: Michael Britt
• Star Wars: The Bad Batch: “Faster” (Disney)
  • Supervising Sound Editors: David W. Collins, Matthew Wood
  • Sound Designer: David W. Collins
  • Sound Effects Editors: Justin Doyle, Kevin Bolen MPSE, Kimberly Patrick
  • Supervising Foley Editor: Frank Rinella
  • Foley Artists: Kimberly Patrick, Margie O’Malley, Andrea Gard
• Star Wars: Visions: “The Pit” (Disney)
  • Supervising Sound Editor: David W. Collins
  • Sound Designer: David W. Collins
  • Sound Effects Editors: Kevin Bolen MPSE, Bill Rudolph
  • Dialogue Editor: David W. Collins
  • Supervising Foley Editor: Alex Wilmer
  • Foley Artists: Shelley Roden MPSE, Xiuzhu (Mimi) Guo
• Transformers: Earthspark: “Security Protocols” (Nickelodeon)
  • Supervising Sound Editor: Brad Meyer MPSE
  • Sound Effects Editor: Natalia Saavedra Brychcy
  • MPSE Dialogue Editor: Christine Gamache
  • Foley Editor: Carol Ma MPSE
• Young Jedi Adventures: “The Young Jedi/Yoda’s Mission” (Disney)
  • Sound Effects Editor: Heather Olsen MPSE
  • Dialogue Editor: Robbi Smith MPSE
  • Foley Editor: David Bonilla MPSE
  • Foley Artist: John “J” Lampinen

Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue / ADR

• All the Light We Cannot See: Episode 4 (Netflix)
  • Supervising Sound Editors: Craig Henighan MPSE, Ryan Cole MPSE
  • Dialogue Editors: Emma Present, Jill Purdy MPSE
• Succession: “Connor’s Wedding” (HBO)
  • Supervising Sound Editor: Nicholas Renbeck MPSE
  • Dialogue Editor: Dan Korintus
  • Supervising ADR Editor: Angela Organ
  • Dialogue Editor/ ADR Editor: Andy Kris
• Ted Lasso: “So Long, Farewell” (AppleTV+)
  • Supervising Sound Editor: Brent Findley MPSE
  • Dialogue Editors: Bernard Weiser MPSE, Bruce Hond, Scott Haller MPSE
  • ADR Editor: Daniel Douglass MPSE
• The Crown: “Ritz” (Netflix)
  • Supervising Sound Editor: Lee Walpole MPSE
  • Supervising Dialogue Editor: Iain Eyre
  • ADR Supervisor: Steve Little
  • ADR Editors: Abbie Shaw, Matthew Mewett
• The Last of Us: “Long, Long Time” (HBO)
  • Supervising Sound Editor: Michael J. Benavente
  • Dialogue Editor: Joe Schiff
• The Marvelous Mrs. Maisel: “Four Minutes” (Amazon Prime)
  • Supervising Sound Editor: Ron Bochar
  • Dialogue Editor: Sara Stern
  • ADR Editor: Ruth Hernandez MPSE

Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley

• Ahsoka: “Part Four: Fallen Jedi” (Disney)
  • Supervising Sound Editors: Bonnie Wild, Matthew Wood
  • Sound Designer: David Acord
  • Sound Effects Editors: Kimberly Patrick, Tim Farrell
  • Supervising Foley Editor: Joel Raabe
  • Foley Artist: Shelley Roden MPSE, Ronni Brown, Heikki Kossi MPSE
• All the Light We Cannot See: Episode 4 (Netflix)
  • Supervising Sound Editors: Craig Henighan MPSE, Ryan Cole MPSE
  • Sound Effects Editor: David Grimaldi
  • Foley Editor: Matt Cloud
  • Foley Artist: Steve Baine
• The Continental: From the World of John Wick: “Theatre of Pain” (Peacock)
  • Supervising Sound Editor: Luke Gibleon
  • Sound Designer: Nick Interlandi
  • Sound Effects Editor: Joshua Adeniji
  • Foley Editors: Adrian Medhurst MPSE, Duncan Campbell
  • Foley Artist: Adrian Medhurst MPSE
• Loki: “Glorious Purpose” (Disney)
  • Supervising Sound Editor: Bjørn Ole Schroeder
  • Sound Designer: David Chrastka
  • Sound Effects Editors: Andre Zweers, Malcolm Fife, Jamey Scott
  • MPSE Supervising Foley Editor: Alyssa Nevarez
  • Foley Editor: Dawit Zemene MPSE
  • Foley Artist: Sandra Fox
• Star Trek: Picard: “The Last Generation” (Paramount+)
  • Supervising Sound Editor: Matthew E. Taylor
  • Sound Designers: Michael Schapiro, Harry Cohen MPSE
  • Sound Editors: Alex Pugh MPSE, Deron Street
  • Foley Editors: John Sanacore MPSE, Clay Weber MPSE
  • Foley Artist: Rick Owens MPSE
• The Last of Us: “When You’re Lost in the Darkness” (HBO)
  • Supervising Sound Editor: Michael J. Benavente
  • Sound Designers: Chris Battaglia MPSE, Chris Terhune
  • Sound Effects Editors: Mitchell Lestner, Matt Yocum MPSE
  • Supervising Foley Editor: Randy Wilson
  • Foley Editors: Davi Aquino, Justin Hale
  • Foley Artists: Justin Charbonneau, Stefan Fraticelli, William Kellerman

Outstanding Achievement in Sound Editing – Broadcast Short Form

• American Horror Story: Delicate Part 1: “When the Bough Breaks” (FX)
  • Supervising Sound Editors: Christian Buenaventura MPSE, Gary Megregian MPSE
  • Sound Effects Editor: Tim Cleveland
  • Dialogue Editor: Steve Stuhr
  • Foley Editor: Sam Munoz
  • Foley Artist: Noel Vought
• Barry: “wow” (HBO)
  • Supervising Sound Editors: Sean Heissinger, Matthew E. Taylor
  • Sound Designer: Rickley W. Dumm MPSE
  • Sound Editor: Deron Street
  • Dialogue Editor: John Creed MPSE
  • Supervising Foley Editor: Clay Weber MPSE
  • Foley Editor: Darrin Mann
  • Foley Artists: Alyson Dee Moore MPSE, Chris Moriana
• BEEF: “The Great Fabricator” (Netflix)
  • Supervising Sound Editor: Christopher Gomez MPSE
  • Sound Effects Editor: Jerry Lafuente MPSE
  • Dialogue Editor: Nathan Efstation
  • Foley Editor: Igor Yashin
  • Foley Artist: Ruslan Schebisty
• The Bear: “Fishes” (FX)
  • Supervising Sound Editors: Steve “Major” Giammaria MPSE, Andrea Bella
  • Sound Effects Editor: Matt Snedecor
  • Dialogue Editors: Evan Benjamin, John Werner
  • ADR Editor: John Bowen
  • Foley Editor: Annie Taylor
  • Foley Artists: Leslie Bloome, Shaun Brennan
• The Mandalorian: “The Return” (Disney)
  • Supervising Sound Editors: Trey Turner, Matthew Wood
  • Sound Designer: David W. Collins
  • Sound Effects Editors: Luis Galdames MPSE, Kevin Bolen MPSE
  • ADR Editors: Brad Semenoff MPSE, Ryan Coda
  • Supervising Foley Editor: Frank Rinella
  • Foley Editors: Joel Raabe, Alyssa Nevarez
  • Foley Artist: Shelly Roden MPSE

Outstanding Achievement in Sound Editing – Feature Animation

• Elemental (Disney / Pixar)
  • Supervising Sound Editors: Ren Klyce, Coya Elliott
  • Sound Designer: Ren Klyce
  • Sound Effects Editors: Jonathan Stevens, Ben Burtt, Kim Patrick, Steve Bissinger
  • Supervising Dialogue Editor: Rich Quinn
  • Dialogue Editor: Lisa Chino
  • Supervising Foley Editor: Dee Selby
  • Foley Editor: Nicolas Docter
  • Foley Artists: Shelley Roden MPSE, Heikki Kossi MPSE
• Migration (Illumination)
  • Supervising Sound Editors: Daniel Laurie, Josh Gold
  • Sound Effects Editors: Richard Gould, Luke Dunn-Gielmuda, Scott Guitteau
  • Supervising Foley Editor: Thom Brennan
  • Foley Editor: E. Larry Oatfield
  • Foley Artists: Sean England, Andrea Gard
  • Music Editor: Bill Bernstein
• Spider-Man: Across The Spider-Verse (Sony Pictures Animation)
  • Supervising Sound Editor: Geoffrey G. Rubay
  • Sound Designers: John J. Pospisil, Alec G. Rubay, Kip Smedley
  • Sound Effects Editors: Cathryn Wang, David Werntz, Bruce Tanis MPSE, Greg ten Bosch MPSE, Daniel McNamara MPSE, Will Digby, Andy Sisul
  • Supervising Dialogue Editor: James Morioka MPSE
  • Dialogue Editors: Robert Getty MPSE, Jason W. Freeman, Kai Scheer, Ashley N. Rubay
  • Foley Supervisor: Colin Lechner MPSE
  • Foley Artist: Gregg Barbanell MPSE, Jeff Wilhoit MPSE, Dylan Wilhoit
  • Supervising Music Editor: Katie Greathouse
  • Music Editor: Barbara McDermott
• The Super Mario Bros Movie (Universal Pictures)
  • Supervising Sound Editor: Daniel Laurie
  • Sound Designers: Randy Thom MPSE, Jamey Scott MPSE
  • Sound Effects Editors: Leff Lefferts, Qianbaihui Yang MPSE, Scott Guitteau
  • Supervising Foley Editor: E. Larry Oatfield
  • Foley Editor: Zach Martin
  • Foley Artists: Ronni Brown, Jana Vance, Sean England

Outstanding Achievement in Sound Editing – Feature Documentary

• 32 Sounds (ArKtype)
  • Supervising ADR Editor: Eliza Paley
  • Sound Designer: Mark Mangini MPSE
  • Sound Editor: Robert Kellough MPSE
  • ADR Editor: Mari Matsuo
  • Foley Artist: Joanna Fang MPSE
• American Symphony (Higher Ground Productions)
  • Supervising Sound Editors: Tristan Baylis MPSE, Tom Paul
  • Foley Artist: Leslie Bloome
  • Sound Effects Editors: Matt Snedecor, Mark Filip
• Mourning In Lod (Medalia Productions)
  • Supervising Sound Editors: Yossi Appelbaum, Lior Weitzman
  • Sound Designer: Yossi Appelbaum
• Still: A Michael J. Fox Movie (AppleTV+)
  • Supervising Sound Editor: Skip Lievsay
  • Sound Effects Editor: Rich Bologna
  • Dialogue Editor: Michael Feuser
  • Foley Supervisor: Matt Haasch
  • Foley Editor: Heather Gross
  • Foley Artist: Jay Peck
• Taylor Swift | The Eras Tour (Taylor Swift Productions)
  • Sound Editor: Phil DeTolve
  • Music Supervisor: David Cook

Outstanding Achievement in Sound Editing – Foreign Language Feature

• Anatomy of a Fall (NEON)
  • Sound Editors: Fanny Martin, Jeanne Delplancq
• The Zone of Interest (A24)
  • Supervising Sound Editor: Johnnie Burn MPSE
  • Sound Effects Editors: Simon Carroll, Max Behrens, Joe Mount, Brendan Feeney
  • Foley Editors: Ewa Mazurkiewicz, Natalia Lubowiecka MPSE, Dawid Konecki, Kamil Kwiatkowski
• Godzilla Minus One (Robot Communications)
  • Foley Artist: Natsuko Inoue
• Society of the Snow (Netflix)
  • Supervising Sound Editors: Oriol Tarragó, Iosu Martinez, Guillem Giró
  • Foley Artists: Erik Vidal, Kiku Vidal
  • Sound Editors: Sarah Romero, Marc Bech, Brendan Golden
  • Sound Designer: Oriol Tarragó
  • Music Editor: John Finklea

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR

• Barbie (Warner Bros.)
  • Supervising Sound Editors: Ai-Ling Lee, Dan Kenyon
  • Supervising Dialogue / ADR Editor: Brian Bowles MPSE
  • Dialogue Editors: Kate Bilinski, Tony Martinez, Tyler Newhouse
• Killers of the Flower Moon (AppleTV+)
  • Supervising Sound Editors: Philip Stockton, Eugene Gearty
  • Dialogue Editors: Julia Stockton, Philip Stockton
  • ADR Editor: Marissa Littlefield
• Maestro (Netflix)
  • Supervising Sound Editors: Richard King, Rich Bologna
  • Supervising Dialogue / ADR Editor: Tony Martinez
  • Dialogue Editors: Eliza Paley, Jac Rubenstein, Fred Rosenberg
  • Supervising Music Editor: Jason Ruder
• Napoleon (AppleTV+)
  • Supervising Sound Editors: Oliver Tarney MPSE, James Harrison
  • Supervising Dialogue Editor: Michael Maroussas
  • Dialogue Editor: Rachael Tate MPSE
• Oppenheimer (Universal Pictures)
  • Supervising Sound Editor: Richard King
  • Supervising Dialogue Editor: David Bach
  • Dialogue Editors: Russell Farmarco, Albert Gasser MPSE
• Poor Things (Searchlight Pictures)
  • Supervising Sound Editor: Johnnie Burn MPSE
  • Dialogue Editors: Tristan Baylis MPSE, Peter Russell

Outstanding Achievement in Sound Editing – Feature Effects / Foley

• Gran Turismo (Columbia Pictures)
  • Supervising Sound Editors: Kami Asgar MPSE, Erin Oakley
  • Sound Designer: Charles Deenen
  • Sound Effects Editors: Sam Fan, Matt Cavanaugh MPSE
  • Sound Designer: Tim Gedemer MPSE
  • Foley Artists: Gary Hecker MPSE, Mike Horton
  • Foley Editor: Jessica Parks
• Ferrari (NEON)
  • Supervising Sound Editors: Tony Lamberti, Bernard Weiser MPSE
  • Sound Designer: David Wentz
  • Sound Effects Editor: Brent Findley MPSE, Steven Ticknor, Benjamin Cook MPSE
  • Supervising Foley Editor: Beso Kacharava MPSE
  • Foley Artist: Biko Gogaladze
  • Foley Editors: Alexander Sanikidze, Rati Chkhetiani
• John Wick Chapter 4 (Lionsgate)
  • Supervising Sound Editor: Paul Soucek MPSE
  • Sound Designers: Mark Stoeckinger, Luke Gibleon, Olivia Xiao’ou Zhang MPSE, Stephen Robinson MPSE, Gael Nicolas
  • Sound Effects Editors: Casey Genton, Nicolas Interlandi
• Napoleon (AppleTV+)
  • Supervising Sound Editors: Oliver Tarney MPSE, James Harrison
  • Sound Designers: Mike Fentum, Hugo Adams
  • Sound Effects Editors: Aran Clifford, Kevin Penney, Rowan Watson
  • Foley Artists: Oliver Ferris, Sue Harding
• Oppenheimer (Universal Pictures)
  • Supervising Sound Editor: Richard King
  • Sound Effects Editor: Michael Mitchell
  • Sound Designer: Randy Torres Supervising
  • Foley Editor: Christopher Flick
  • Foley Artists: Dan O’Connell, John Cucci MPSE
• The Killer (Netflix)
  • Sound Designer: Ren Klyce
  • Sound Effects Editors: Jonathon Stevens, Malcolm Fife
  • Supervising Sound Editor: Jeremy Molod
  • Supervising Foley Editor: Thom Brennan
  • Foley Editor: Dee Selby
  • Foley Artists: Shelley Roden MPSE, John Roesch MPSE

Outstanding Achievement in Sound Editing – Non-theatrical Animation

• Blue Eye Samurai: “All Evil Dreams and Angry Words” (Netflix Animation)
  • Supervising Sound Editor: Myron Nettinga
  • Supervising Dialogue Editor: Paulette Lifton MPSE
  • Sound Designers: Sam Hayward, Jared Dwyer MPSE, Andrew Miller MPSE
  • Sound Editor: Johanna Turner
  • Foley Artists: Jason Charbonneau, Stefan Fraticelli
  • Foley Editor: Justin Helle
• Blue Eye Samurai: “Hammerscale” (Netflix Animation)
  • Supervising Sound Editor: Paul N.J Ottosson
  • Sound Effects Editor: Leo Marcel
  • Dialogue Editor: Daniel Saxlix MPSE
  • Foley Editor: Shawn Kennelley
  • Foley Artists: Melissa Kennelley, Vince Nicastro
• Justice League: “Warworld” (Warner Bros. Animation)
  • Sound Designer: Robert Hargreaves MPSE
  • Supervising Dialogue Editor: Mark Keatts
  • Dialogue Editors: Mike Garcia MPSE, Kelly Foley-Downs
• The Monkey King (Netflix Animation)
  • Supervising Sound Editors: David Giammarco, Eric A. Norris MPSE
  • Dialogue Editor: Sean Massey MPSE
  • Sound Designers: Jon Title MPSE, Tim Nielsen
  • Foley Artists: Dan O’Connell, John Cucci MPSE

Outstanding Achievement in Sound Editing – Non-theatrical Documentary

• 100 Foot Wave: “Lost at Sea” (HBO)
  • Supervising Sound Editor: Keith Hodne
  • Dialogue Editor: Max Holland
  • Sound Designer: Eric Di Stefano
  • Sound Effects Editors: Eli Akselrod, Mika Anami
  • Sound Designer: Kevin Senzaki MPSE
• David Attenborough’s Conquest of The Skies (Atlantic Productions)
  • Supervising Sound Editor/ Sound Designer: Oliver Kadel
• Formula 1: Drive to Survive: “Over the Limit” (Netflix)
  • Supervising Sound Editors: Steve Speed, Nick Fry
  • Sound Supervisors: Adam King, Doug Dreger
  • Sound Designers: Ivan Onek, James Spooner
• Our Planet II: “Chapter 3: The Next Generation” (Netflix)
  • Sound Editor: George Fry
• Waco: American Apocalypse “In the Beginning…” (Netflix)
  • Supervising Sound Editor: Trip Brock MPSE
  • Sound Designer: Itai Levy
  • Sound Effects Editor: Eric Gillingham MPSE, GW Pope, III
  • Dialogue Editor: Jackie Johnson
• World War II: From the Front Lines: “Turning Point” (Netflix)
  • Supervising Sound Editor: Luke Hatfield
  • Sound Designer: Sophie-Alice Davies

Outstanding Achievement in Sound Editing – Non-theatrical Feature

• Black Mirror: Beyond the Sea (Netflix)
• Supervising Sound Editor: Antony Bayman
• Dialogue/ADR Editor: Alex Sawyer
• Sound Effects Editor: Jane Lo
• Supervising Foley Editor: Adam Méndez
• Foley Editor: Rob Davidson
• Foley Artist: Sue Harding
• The Last Kingdom: Seven Kings Must Die (NBCUniversal)
• Supervising Sound Editor: Jack Gillies
• Dialogue/ADR Supervisor: Michael Williams
• ADR Editor: Steve Berezai
• Foley Editor: Neale Ross
• Foley Artist: Jason Swanscott
• Mr. Monk’s Last Case: A Monk Movie (Peacock)
• Supervising Sound Editor: Brent Findley MPSE
• Sound Effects Editor: Dan Kremer MPSE
• Dialogue Editor: Dan Douglass MPSE
• Foley Artist: Brian Staub
• Publish or Perish (Alation Media)
• Supervising Sound Editor: Leslie Gaston-Bird MPSE
• Supervising Foley Editor: Anna Sulley MPSE
• Dialogue Editors: Lora Cornes, Naomi Graham, Jahmai Bruce
• Foley Artists: Ruth Sullivan, Karo Jedrzejczyk

Music Editorial Nominees

Outstanding Achievement in Music Editing – Broadcast Long Form

• Daisy Jones and the Six: “Track 8: Looks Like We Made It” (Amazon Prime)
  • Supervising Music Editor: Amber Funk MPSE
  • Music Editor: Mike Poole
• Fargo: “The Tiger” (FX)
  • Music Editor: Ben Schor
• Loki: “Glorious Purpose” (Disney)
  • Supervising Music Editor: Anele Onyekwere
  • Music Editors: Nashia Wachsman, Richard Armstrong, Ed Hamilton
• The Last of Us: “When You’re Lost in the Darkness” (HBO)
  • Music Editor: Maarten Hofmeijer
• The Marvelous Mrs. Maisel: “Susan” (Amazon Prime)
  • Lead Music Editor: Annette Kudrak
• Ted Lasso: “Sunflowers” (AppleTV+)
  • Lead Music Editor: Richard David Brown MPSE

Outstanding Achievement in Music Editing – Broadcast Short Form

• BEEF: “The Great Fabricator” (Netflix)
  • Music Editors: Jason Tregoe Newman, Bryant J. Fuhrman, Andrew Ransom
• Dave: “Met Gala” (Hulu)
  • Supervising Music Editor: Amber Funk MPSE
  • Music Editor: James Sullivan
• Only Murders in the Building: “Opening Night” (Hulu)
  • Music Editor: Micha Liberman
• The Bear: “Fishes” (FX)
  • Music Editors: Jason Lingle, Jeff Lingle

Outstanding Achievement in Music Editing – Documentary

• American Symphony (Netflix)
  • Lead Music Editor: Ignacio Bonet
• Pianoforte (Greenwich Entertainment)
  • Supervising Music Editor: Michal Fojcik MPSE
  • Music Editor: Joanna Popowicz
• Still: A Michael J. Fox Movie (AppleTV+)
  • Music Editor: Bill Bernstein
• WHAM! (Netflix)
  • Music Editor: Greg Gettens

Outstanding Achievement in Music Editing – Feature Motion Picture

• Barbie (Warner Bros.)
  • Supervising Music Editor: Suzana Perić Music Editor: Mick Gormaley Creed III Amazon / MGM Music Editor: Nicholas Fitzgerald
• Maestro (Netflix)
  • Supervising Music Editor: Jason Ruder Music Editor: Victoria Ruggiero
• Oppenheimer (Universal Pictures)
  • Supervising Music Editor: Amanda Goodpaster Music Editors: Felipe Pacheco, Alex Gibson
• Spider-Man: Across the Spider-Verse (Sony Pictures)
  • Supervising Music Editor: Katie Greathouse Music Editor: Barbara McDermott
• Wonka (Warner Bros.)
  • Supervising Music Editor: Katrina Schiller MPSE Music Editors: Mark Willsher MPSE, Michael Connell, Janet Grab

Game Editorial Nominees

Outstanding Achievement in Sound Editing – Game Dialogue / ADR

• Alan Wake 2 (Remedy Entertainment)
  • Audio Director: Richard Lapington
  • Senior Dialogue Designers: Taneli Suoranta, Arthur Tisseront
• Call Of Duty: Modern Warfare III (Infinity Ward)
  • Audio Director: Matthew Grimm MPSE
  • Supervising Sound Editors: David Swenson MPSE, Mikael Frithiof, Adam Boyd MPSE
  • Cinematics Supervising Sound Editors: Charles Deenen, Nick Martin
  • Supervising Dialogue Editors: Dave Natale, Alexandria Kiser, Alvaro Vela
  • Audio Leads: Eric Wedemeyer, Robbie Elias, Cameron Britton, Ian Mika, Collin Ayers
  • Expert Audio Artists: Jomo Kangethe, Kyle Fraser
  • Senior Audio Artist: Kegan Chau, Fernando Labarthe MPSE, Travis Didluck, Michael Tornabene, Peter Wayne, Dennis Bestafka, Scott Eckert, James McCawley, Lee Staples, Jasmine Jia, Ryan Garigliano, Shawn Jimmerson
  • Audio Artists: Tyler Cannan, Liam Underwood, Shawn Maldonado, Stephan Vankov, Pierce Cram, Dave Rowe MPSE, Brian Tuey, William Wise, Sunglae Park, Tommy Serioglou, Daniel Francis MPSE, Garrett Montgomery MPSE, Bryan O. Watkins
  • Dialogue Director: Scott Cresswell
  • Senior Dialogue Editor: Andrew Giardino
  • Audio Programmer: Don Veca
  • Dialogue Editors: Samuel Hoffman, Michal Jaskuła, Daniel Granberg, Aaron Wolff, Alejandro Jaramillo, Sergio Jaskuła, Sebastian Martinez, Rafael Castaño, Andrew Rice, Austin Conway, Colette Dahanne, Gustavo Bruce, Hilary Long, Jacob Kinch, Terrence Vitali, Serge J. Isaac, Stefan Richter, Carlon Assells, Emilio Lopez-Centellas
• Marvel’s Spider-Man 2 (Insomniac Games)
  • Supervising Dialogue Designers: Ryan Schaad, Benjamin Gendron-Smith
  • Director, Audio Management: Karen Read
  • Audio Managers: Jesse James Allen, Patrick Michalak
  • Senior Manager, Dialogue: Leilani Ramirez MPSE
  • Senior Dialogue Designer: Jaime Marcelo, Alyssa Galindo
  • Senior Director of Sound: Phillip Kovats MPSE
  • Dialogue Lead: Harrison Deutsch
  • Dialogue Director: Keith Asack
  • Dialogue Designers: Daniel Davila, Evan Hodick, Matthew Strasser, Michelangelo Muscariello, Mitchell Kenney, Tyler Held MPSE, Emma Burlingame, Rory Given
  • Dialogue Editors: Glen Gathard, Luke Duffin, Dionne Wong, Eugene Tong Haw Cheng, Huberth Varela, Harry Watchman, Robert Kubicki
• Star Wars Jedi: Survivor (Respawn Entertainment)
  • Dialogue Lead: Harrison Deutsch
  • Senior Dialogue Editor: Nick Friedemann

Outstanding Achievement in Music Editing – Game Music

• Alan Wake 2 (Remedy Entertainment)
  • Audio Director: Richard Lapington
  • Senior Sound Designer: Koca Kastavarac
  • Music Editor: Kilian Oser
  • Senior Sound Designer: Dobrivoje Milijanovic
• Diablo IV (Blizzard Entertainment)
  • Audio Director: Kris Giampa Music Director: Derek Duke Scoring Editor: John Kurlander
• Marvel’s Spider-Man 2 (Insomniac Games)
  • Supervising Music Editor: Rob Goodson
  • Music Editors: Scott Bergstrom, Ted Kocher, Tao-Ping Chen, Nicholas Mastroianni, Monty Mudd, Andrew Buresh, Sonia Coronado, Paul Thomason, Julie McLaughlin, Yuen Man Chung Kelvin, Matthew Kelly, Seira McCarthy, Sam McCormick, Cherron Arens
• Star Wars Jedi: Survivor (Respawn Entertainment)
  • Music Director: Nick Laviers
  • Music Implementers: Colin Andrew Grant MPSE, Andrew Karboski

Outstanding Achievement in Sound Editing – Game Effects / Foley

• Alan Wake 2 (Remedy Entertainment)
  • Audio Director: Richard Lapington
  • Principal Audio Designer: Tazio Schiesari
  • Senior Audio Designers: Gulli Gunnarsson, Thomas Holmes
  • Senior Technical Audio Designer: Joshua Adam Bell
• Call Of Duty: Modern Warfare III (Infinity Ward)
  • Audio Director: Matthew Grimm MPSE
  • Audio Leads: Eric Wedemeyer, Robbie Elias, Cameron Britton, Ian Mika, Dave Rowe, Brian Tuey, Collin Ayers
  • Supervising Sound Editors: David Swenson MPSE, Mikael Frithiof, Adam Boyd MPSE
  • Cinematics Supervising Sound Editors: Charles Deenen, Nick Martin
  • Sound Designers: Kelly Baffoni, Landen Belardes, Gregory Bonini, Tom Brewer MPSE, Alexander Ephraim MPSE, James Evans, Tim Gedemer, Mark Jasper, Sean Madsen, James Miller, Josh More, Myron Nettinga, Ryan Nowak, Travis Prater, Alec Rubay, John Sawa MPSE, Matt Severin, Carlos Solis, Nick Spradlin, Conrad Ytuarte, Jessica Arkoff
  • Expert Audio Artists: Jomo Kangethe, Kyle Fraser
  • Senior Audio Artists: Kegan Chau, Fernando Labarthe MPSE, Travis Didluck, Michael Tornabene, Peter Wayne, Dennis Bestafka, Scott Eckert, James McCawley, Lee Staples, Jasmine Jia, Ryan Garigliano, Shawn Jimmerson
  • Audio Artists: Tyler Cannan, Liam Underwood, Stephan Vankov, Pierce Cram, Shawn Maldonado, William Wise, Sunglae Park, Tommy Serioglou, Daniel Francis MPSE, Garrett Montgomery MPSE, Bryan O. Watkins
  • Audio Programmer: Don Veca
• Marvel’s Spider-Man 2 (Insomniac Games)
  • Supervising Sound Editors: Ben Minto MPSE, Chris Sweetman MPSE, Csaba Wagner MPSE, Samuel Justice, Gary Miranda
  • Supervising Sound Designer: Emile Mika
  • Senior Director of Sound: Phillip Kovats MPSE
  • Director, Audio Management: Karen Read Audio Managers: Daniel Birczynski, Jesse James Allen
  • Director of Sound Design: Jeremie Voillot MPSE
  • Senior Audio Directors: Paul Mudra, Jerry Berlongieri, Dwight Okahara
  • Technical Sound Designers: Ben Pantelis, Sebastian Ruiz, Nick Jackson, Enoch Choi, Cameron Sonju, Gavin Booth
  • Lead Sound Designer: Blake Johnson
  • Senior Sound Designers: Eddie Pacheco MPSE, Tyler Cornett, Johannes Hammers MPSE, Zack Bogucki, Alex Previty, Matt Ryan, Juliet Rascon, Andres Herrera, Robert Castro MPSE, Jeff Darby, Beau Anthony Jimenez MPSE, Derrick Espino, Jon Rook
  • Sound Designers: Tyler Hoffman, Daniele Carli, Bob Kellough MPSE, Bryan Jerden, Eilam Hoffman, Graham Donnelly MPSE, Jason W. Jennings MPSE, Matt Hall, Michael Leaning, Michael Schapiro, Randy Torres, Richard Gould, Stephano Sanchinelli, Tim Walston MPSE, Tobias Poppe, Tom Jaine MPSE, Jeremy Neroes, Adam Sanchez, Brendan Wolf, Roy Lancaster, Rodrigo Robinet, Daniel Barboza, Charlie Ritter, David Goll, Chris Kokkinos MPSE, TJ Schauer
  • Foley Editors: Blake Collins, Annie Taylor, Austin Creek
  • Foley Artist: Joanna Fang MPSE
• Star Wars Jedi: Survivor (Respawn Entertainment)
  • Audio Director: Nick von Kaenel
  • Senior Sound Designers: Alex Barnhart, Oscar Coen
  • Sound Designer: Ashton Faydenko
  • Associate Sound Designer: Kartika Dewi Luky
  • Senior Cinematic Sound Designer: Tom Jaine MPSE
  • Sound Implementer: Tori Ano

Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)

• Buyers Beware (Savannah College of Art & Design)
  • Supervising Sound Editor: Matt Lemberger
• Canary (Chapman University)
  • Supervising Sound Editor: Mengchen Sun
• Dive (National Film & Television School)
  • Supervising Sound Editor: Simon Panayi
• From The Top (National Film & Television School)
  • Supervising Sound Editor: Etienne Kompis
• Gossip (National Film & Television School)
  • Supervising Sound Editor: Itzel Gonzalez Estrada
• Heimen (Amsterdam University of the Arts)
  • Supervising Sound Editor: Eran Brinkman
  • Sound Effects Editor: Sam Titshof
• The Tornado (Outside National Film & Television School)
  • Supervising Sound Editor: Marios Themistokleous
• Tree of Many Faces (National Film & Television School)
  • Sound Designer: Siim Skepast

The 71st Annual Golden Reel Awards will be held on March 3, 2024.

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