FCC Threats Over “Bad Press”? Trump Tests the First Amendment Again

Donald Trump is at it again. His latest idea? That the FCC should strip television networks of their broadcast licenses for being too critical of him. This comes after Jimmy Kimmel was suspended following government intimidation directed at ABC.

During a September 18 press gaggle aboard Air Force One, as he flew back to the United States from the United Kingdom, Trump claimed: “I read someplace that the networks were 97% against me…They give me only bad publicity or press. I mean, they’re getting a license. I would think maybe their license should be taken away. It will be up to Brendan Carr.”

FCC Isn’t Here to Babysit Trump’s Ego

Let’s pause for a moment here. First, Brendan Carr, the FCC commissioner Trump name-dropped, doesn’t have that power. Broadcast licenses are overseen by the Federal Communications Commission as a body, not by a single official. And the FCC doesn’t exist to babysit Trump’s ego—it exists to regulate technical issues like spectrum use and to ensure stations serve the “public interest.” That’s not the same thing as serving the president’s personal interests, no matter how loudly he whines about coverage.

Second, even if Trump understood how licensing works, the Constitution is in his way. The First Amendment was written precisely to stop thin-skinned politicians from weaponizing government power against the press. Courts have been crystal clear on this point. Coverage can be biased, slanted, or even harsh—but it’s not grounds for punishment from the government.

As a reminder, the First Amendment states: “Congress shall make no law respecting an establishment of religion or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.” This is exactly what Trump’s musings would undermine if taken seriously.

And here’s the kicker: the FCC is bound by the same constitutional limits as every other agency. It can decide how frequencies are allocated, or whether stations are meeting technical requirements, but it cannot and must not decide whose coverage is too mean to the president. The moment the FCC even tried to revoke a license for political reasons, the courts would swat it down.

And yet here we are, with a president in office openly fantasizing about using federal power to control what you watch on TV. It’s not subtle. It’s not a gaffe. It’s a statement of intent.

Presidents have always been tempted to lean on the FCC when coverage gets tough. Richard Nixon tried to sic the FCC on stations he thought were unfriendly, but the courts didn’t let it fly. Steven Spielberg’s The Post captured the paranoia of that era, dramatizing how Nixon raged at the press for coverage he didn’t like. Ben Bradlee’s (Tom Hanks) line to Katharine Graham (Meryl Streep) in the film still resonates: “We can’t have an administration dictating our coverage just because they don’t like what we printed about them in the newspaper.”

The chilling part is that what once played as historical drama is no less relevant now than it was when Steven Spielberg decided to rush the film into production in 2017 because it was a story he felt needed to be made then, not in another two or three years. When Trump suggests licenses should be revoked over bad coverage, he’s not talking about accountability. He’s talking about retribution. That’s not democratic—it’s authoritarian.

If networks pull punches because they fear the FCC might yank their ability to broadcast, the losers aren’t the executives or the anchors. The losers are the public. We depend on a free press to challenge those in power, not bow to them.

As Bradlee warned Graham in Spielberg’s film, the press isn’t here to make presidents comfortable—it’s here to make sure the public stays informed. Trump, apparently, missed that memo.

Please subscribe to Solzy on Buttondown and visit Dugout Dirt.

Danielle Solzman

Danielle Solzman is native of Louisville, KY, and holds a BA in Public Relations from Northern Kentucky University and a MA in Media Communications from Webster University. She roots for her beloved Kentucky Wildcats, St. Louis Cardinals, Indianapolis Colts, and Boston Celtics. Living less than a mile away from Wrigley Field in Chicago, she is an active reader (sports/entertainment/history/biographies/select fiction) and involved with the Chicago improv scene. She also sees many movies and reviews them. She has previously written for Redbird Rants, Wildcat Blue Nation, and Hidden Remote/Flicksided. From April 2016 through May 2017, her film reviews can be found on Creators.

You Missed

Netflix’s Bid for Warner Bros. Discovery Should Worry Everyone Who Loves Movies

Netflix’s Bid for Warner Bros. Discovery Should Worry Everyone Who Loves Movies

Seth Kramer on Co-Directing Fiddler on the Moon: Judaism in Space

Seth Kramer on Co-Directing Fiddler on the Moon: Judaism in Space

Fackham Hall Is What Happens When Downton Abbey Meets Airplane!

Fackham Hall Is What Happens When Downton Abbey Meets Airplane!

This Ordinary Thing Honors the Righteous Among the Nations

This Ordinary Thing Honors the Righteous Among the Nations

Tom and Jerry: The Golden Era Anthology 1940-1958 Is Now on Blu-ray

Tom and Jerry: The Golden Era Anthology 1940-1958 Is Now on Blu-ray

SHTTL Captures Life in a Jewish Shtetl Before Nazi Germany’s 1941 Invasion

SHTTL Captures Life in a Jewish Shtetl Before Nazi Germany’s 1941 Invasion